Wednesday, October 17, 2007

mona lisa painting

mona lisa painting
on the step; a man without a hat: he stretched forth his hand as if to
feel whether it rained. Dusk as it was, I had recognised him- it was
my master, Edward Fairfax Rochester, and no other.
I stayed my step, almost my breath, and stood to watch him- to
examine him, myself unseen, and alas! to him invisible. It was a
sudden meeting, and one in which rapture was kept well in check by
pain. I had no difficulty in restraining my voice from exclamation, my
step from hasty advance.
mona lisa painting
His form was of the same strong and stalwart contour as ever: his
port was still erect, his hair was still raven black; nor were his
features altered or sunk: not in one year's space, by any sorrow,
could his athletic strength be quelled or his vigorous prime blighted.
But in his countenance I saw a change: that looked desperate and
brooding- that reminded me of some wronged and fettered wild beast
or bird, dangerous to approach in his sullen woe. The caged eagle,
whose gold-ringed eyes cruelty has extinguished, might look as
looked that sightless Samson.
mona lisa painting

6 comments:

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Art Express said...

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